Thursday, June 30, 2011

Currently living in the twighlight zone

My 8-4 occupation is as a secondary school teacher and I LOVE my job. At the moment, my two Y12 (16/17 year olds) are 'studying' Macbeth. With one class, I've given them this bizarre task of creating FB profiles for the characters so that they can then 'document' the story via FB technology. We agreed today that sending an update via cellphone while in the battle-field probably wouldn't really work!

It's been fun. And, I've been involved in other school related matters.

Before 8am and after 4pm, it's the family which has been busy and happy with lots of baking and cooking (the boyfriend of eldest has come home for his tertiary hols so we have had an extra and welcome member to the whanau).

And, I have been chipping away. These last 10 days have been all about important conversations - not action. The feed back I've received from two valued critics has continued to inspire and motivate me.

Two weeks and two days till school holidays where I shall endeavor to plough through another 20,000 - 30,000 words.

Deadline? 1st of November.

Saturday, June 25, 2011

one dies and one lives

Today I wept again.
How can one describe satisfying grief?
Poor Fleance who has always done the right thing.

Tuesday, June 21, 2011

a review of Bloodlines from the post teen section of society

To get reviewed in any publication is an honour even if the review is bad. To be reviewed by the cynical audience one is trying to attract is a bonus. To have thus said is gold:

‘Admittedly when I first saw the cover I expected yet another clichéd vampire love story. With a title like Bloodlines and the creepy eyes of the Taylor-Swith-esque girl, it is not hard to see why. Never the less I I quickly discovered that the book possesses extreme depth and clever characterisation. Roxborogh allows the reader to connect to the protagonist on a highly emotional level. I enjoyed Bloodlines immensely and discovered that a fanatic following of the trilogy exists online.’

Pippa Schaffer is the critic.The review is from the Otago University’s Critic Mag – March edition.
In it are some articles from my own students. To be mentioned means the story is worthy; to be included means the writer is worthy.
All hail to thee, Pippa.
Squee

Saturday, June 18, 2011

emotional male main characters

Yesterday, I was directed to an excellent post which was advice for women authors writing about/from the male perspective.

In a nutshell: no tears; avoid deliberations with involved emotions; get into the action.

Excellent advice. And, I try to base my experiences on the people I know well. Except, I am married to a man, who is, to quote Macbeth 'I dare do all that may become a man; Who dares do more is none.' (Act 1 sc 7).
And yet he cries. Not half as much as me nor my girls but put on 'Marley and Me' or 'A League of their own' and he's weeping by the end.

My daughters ADORE this about their father: that he feels, that he overtaken sometimes by what he feels deeply and he feels safe in their company to show it.

They also tease the crap out of him for it.

But, does he do this publically? No.
Does he allow his decisions to be directed by his kind heart? No.
He does the above in the safety and sanctuary of his home before his close allies - his family.
He might talk about his heart to others and often is compassionate but they do not see his tears (or, sometimes his anger). They see only his genuine desire to be a good person.
Last night, while discussing the above with my daughters, they said the description of a man by the advice did not fit the picture of their father. And yet, added to the qualities above they offered this from their experience of their father: faithful, honourable, honest, true, kind, strong, funny, playful, nerdy (ie really, really intelligent = he's two papers from finishing his BA and he gets As all the way), respected (from what they have observed from his work with the many things organisations he is involved with), calm on the outside, patient, understanding, slow to get angry...'
Don't you just want to have one of these?
Then Mackenna said: Oh My God, we just describe Fleance! Mum! You based Fleance on Dad. You have told everyone that he was some god-like character that you would love to run away with but you've actually got him.'

Youngest speaks: Not as good looking though.
The three of us fall about laughing while husband/father is in the other room helping others in his role as a Victim Support volunteer.
Lesson? Firstly, I'm lucky. Secondly, less tears. Even the 'at the moment perfect husband who is glowing in his current worshipped state by his wimen' says - no tears. We don't like tears. Or eyes filled with tears. Or the suggestion of tears. - I'm getting the picture!
Finally, men wants results. Men want ways to fix things. They do not want to sit about discussing the price of wool. They want to DO.
Got it.
By the way, Fleance is a bit busy at the moment to discuss the price of wool. But, I will keep all else in mind.